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Peter McNally enjoyed a boyhood of privilege and hard work, growing up in a large and happy extended family during the war years in the safety of the Ulster countryside. Public school back in England gave him a moral code and work ethic which stood him in good stead over the meteoric years that followed in business. After qualifying as a chartered accountant at the age of 22, Peter found himself mixing with the powerful and wealthy and getting to know some of the leading players and businessmen of the day. When the opportunity came to join the board of the newly-created London Weekend Television as Finance Director, Peter, still only in his thirties, seized it with both hands. He became a senior member of the team that steered LWT to dramatic success in the 1970s, eventually sharing in its financial fortunes, which has enabled him in later life to enjoy many leisure hours salmon fishing, shooting, skiing and partying with a wide circle of friends.

Bette Davis, whose career spanned almost 50 years and covered theatre, radio, TV and motion pictures, was at one time the first lady of the big screen. Working with such storied performers as Henry Fonda, Humphrey Bogart, and Joan Crawford, and directors Edmund Goulding, William Wyler and Robert Aldrich, Bette Davis provided some of the most memorable performances in movie history.This volume contains detailed analyses of Bette Davis' top twelve films spanning 1938 to 1987 and including ""The Letter"", ""All About Eve"", ""The Little Foxes"", ""Jezebel"", ""What Ever Happened to Baby Jane?"" and ""The Whales of August"". Each film is discussed in depth, with an examination of its script, direction, camerawork and performances, particularly as they relate to Davis' work. A second group of films, memorable largely for Davis' performance rather than the overall success of the work, are also examined. Special emphasis is placed on the way Davis viewed her own work as well as the detrimental effect her devotion to her career had on her personal life. Appendices contain a list of her marriages and children; her Oscar nominations; a discussion of Davis' missed opportunities; and a partial chronology of her films.